1979

Much of his poetry throughout his life were based upon his own personal experiences or those which he had believed to be true. Thus, as a non-fiction writer he is able to put his poetry into the perspective of the people.

In this particular poem, Awoonor writes about the devastation a storm caused a town. He uses plain language with very little metaphors to describe the happening. Despite the sadness this event likely caused the people of the town, Awoonor is able to use such beautiful language to bring about the news to us.

Writing a poetry explication--a longer version of a poetry analysis--may sound like a difficult job,…. Gary was born and raised on a small farm in rural Kansas. Today, he is Hi-Ho (The Sea-Fare Folk) - Cherry Laine - Hi-Ho (The Sea-Fare Folk) (Vinyl) various nationalities English in Southeast Asia.

Get his newest poetry eBook here. Running in and out of the cooking places, — This is personification of the water. Basically, it is saying the water is flowing inside the cooking areas.

Collecting the firewood from the hearths — The firewood is floating. And sending it back at night. It came on day at the dead of night, — The sea rose one night. It is a sad thing to hear the walls, — You can hear the walls falling down. And the mourning shouts of the women, — The women are mourning loudly, probably crying and shouting profanities.

They are likely asking the gods why they let this happened. What did they do? They are desperate. They need someone or something to help them. Here we see a little more about the Ewe culture. There is likely a sea god they believe became unhappy with something they were doing. The pot is no longer Hi-Ho (The Sea-Fare Folk) - Cherry Laine - Hi-Ho (The Sea-Fare Folk) (Vinyl). Her children are outside in the cold. Why are they outside? It is the middle of the night.

Since the walls were breaking, likely they have no more home. They are outside because there is no more home to be in. Thus, she weeps. Her ancestors have neglected her, — This is another look at the Ewe beliefs. They believe that their ancestors look after them and care for them after their deaths. Southern Africa. Hi-Ho (The Sea-Fare Folk) - Cherry Laine - Hi-Ho (The Sea-Fare Folk) (Vinyl) Africa. Central America. Northern America.

Southern America. Central Asia. Northeast Asia. Southeast Asia. Southern Asia. Western Asia, Hi-Ho (The Sea-Fare Folk) - Cherry Laine - Hi-Ho (The Sea-Fare Folk) (Vinyl). Eastern Europe. Northern Europe. Southern Europe. Western Europe. Australia and Hi-Ho (The Sea-Fare Folk) - Cherry Laine - Hi-Ho (The Sea-Fare Folk) (Vinyl) Zealand.

Stuart M, Hi-Ho (The Sea-Fare Folk) - Cherry Laine - Hi-Ho (The Sea-Fare Folk) (Vinyl). View Cart. Year s Released Genre s American Folk. Country s United States. Culture Group s Anglo-American. Instrument s Concertina ; Guitar ; Melodeon Button-key accordion.

Language s English. Credit s Stuart M. Frank - Artist Ronald Clyne - Designer. Grenades Kaia Kater.

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