Groove Yard - Pat Martino - Remember: A Tribute To Wes Montgomery (CD, Album) download full album zip cd mp3 vinyl flac
Martino has a head start, of course, with his technique, which is formidable and grew out of Montgomery to start with. Martino cut his professional teeth playing in soul-jazz organ trios in the s, building his style around Montgomery and to a lesser extent Grant Greenand he recreates Montgomery's warm, rounded tone, virtuosic parallel-octave runs, chordal improvisations and measured grooves like he was born for them.
That is no small achievement, especially given the fact that he literally had to reinvent himself after a brain aneurysm robbed him of his memory in the '70s. Another important influence, frequently acknowledged by Martino, is the almost forgotten genius Johnny Smith, creator of the exquisite Moonlight In Vermont in Smith's advanced technical facility, astonishingly inventive voicings and lush melodicism also inform Martino's music.
Combine them with Montgomery's legacy and you're close to kissing the sky. Remember almost wholly ignores Montgomery's final, sweetened years on Verve, concentrating instead on his more muscular earlys Riverside period. Five of the tracks are Montgomery originals, five are tunes associated with him, and most inhabit that mid to fast-tempo, metronomic groove that Montgomery so relished.
Pianist David Kikoski is his own man, but he evokes the funky lyricism of Montgomery's favourite Riverside-era pianist, Wynton Kelly. John Patitucci and Scott Allan Robinson keep the skillet greasy. Altogether gorgeous. Learn more about our star rating system. Sponsored by Outside in Music. Our weekly newsletter highlights our top stories and includes your local jazz events calendar.
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Montgomery died of a heart attack on June 15,while at home in Indianapolis. On June 25,The New York Times Magazine listed Wes Montgomery among hundreds of artists whose recorded master tapes were reportedly destroyed in the Universal fire. According to jazz guitar educator Wolf Marshall, Montgomery often approached solos in a three-tiered manner: he would begin the progression with single note lines, derived from scales or modes; after a fitting number of sequences, he would play octaves for a few more sequences, finally culminating with block chords.
He used mostly superimposed triads and arpeggios as the main source for his soloing ideas and sounds. Instead of using a guitar pick, Montgomery plucked the strings Groove Yard - Pat Martino - Remember: A Tribute To Wes Montgomery (CD the fleshy part of his thumb, using down strokes for single notes and a combination of up strokes and down strokes for chords and octaves. He developed this technique not for technical reasons but for the benefit of his neighbors.
He worked long hours as a machinist Groove Yard - Pat Martino - Remember: A Tribute To Wes Montgomery (CD his music career began and practiced late at night.
To keep neighbors from complaining, he played quietly by using his thumb. Jazz guitarist Bobby Broom said that on A Dynamic New Sound inMontgomery "introduced a brand new approach to playing the guitar The octave technique With Buddy Montgomery and Monk Montgomery.
From Wikipedia, the free encyclopedia. American jazz guitarist. Main article: Wes Montgomery discography. Retrieved 11 January Retrieved Wes Montgomery 2 ed. Hal Leonard. Archived from the original Album) 19 October The New York Times. Retrieved 28 June The Great Jazz Guitarists.
Milwaukee, Wisconsin: Backbeat Books. Arcadia Publishing Incorporated. Johnson Publishing Company: All About Jazz. Retrieved 10 January Namespaces Article Talk. Views Read Edit View history. Help Community portal Recent changes Upload file. Download as PDF Printable version. Wes Montgomery,
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