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Melody Bouquet Of Jerome Kern - Emile Petti And His Cosmopolitans - Melody Bouquet (Shellac, Album) download full album zip cd mp3 vinyl flac

Published 28.10.2019

Download Melody Bouquet Of Jerome Kern - Emile Petti And His Cosmopolitans - Melody Bouquet (Shellac, Album)

Late last summer, though, I got a letter from Mr. Mussehl 's death, which apparently occurred in the latter part of Mussehl, who had said he didn't have aay of them left. Wallace also sent a recent copy of "Sawing News of the World" and reprints of two newspaper articles, one of them about Mr.

Mussehl, the other about Melody Bouquet Of Jerome Kern - Emile Petti And His Cosmopolitans - Melody Bouquet (Shellac and his taking over the company.

A brief recap of the. Mussehl 's introduct- ion to and involvement with the musical saw might be int- eresting, so here goes. Captivated by the unique sound of the saw a sort of cross between a violin and a slide whistle— in fact, it's hardto tell them apartjhe went home and tried to get music out of some of. Given that it was possible to get sound out of the tmng at ail, the next problem was to find out howto get acceptably musical sound.

When he'd learned that technique, Mussehl decided to try it out in pub- lic with his brother's small dance band, with which he sat in on banjo from time to time. His saw playing aroused such interest that he published a book of instructions in It sold well, but many purchasers complained when they found that not all saws were cap- able of producing musical tones; It seemed that some steels were mute.

When Mussehl approached the executives of the Atkims Saw Company of Indianapolis with the sug- gestion that they " help him to perfect a musical saw, they must have thought he was loose in the flue.

Despite their skepticism, they gave him all the help they could, and In a week or so, Mussehl had found the best combinat- ion of alloys and measurements. The musical saw industry was thus bom. During the 20's, the saws sold at the rate of thousands a week, and Mussehl had to hire an office staff of eight to handle the orders.

He continued to sell saws until his death in at H. If your musicianship turns out not to be so hot, you can always use the saw for its original purpose.

Herschel Gold Seal from Pathe -Perfect??? As you remember, narly all but one of them were derived from assorted acous- tic and electrical Gennett masters; the sole exception — — used Cameo masters, probably renumbered from Pathe- Perfect.

I saw another Pat he-derived Herschel Gold Seal in an auction list recently, and took down the serial — and noted the fact, as given by the dealer, that it coupled the same titles as Pathe or Perfect A - "Jeannine in Lilac Time" - Majestic Dance Orch. Next, the obvious question: were any other Perfect couplings issued on HGS under the old catalog numbers'? Nuts over National Music Lovers!! Anyone care for an example of why dlscographers go nuts if they'rs not loose in the flue to begin with?

Try this one on for size: I have recently found a copy of Nat'l. Kaufman B -"Baby Face " v. Arlen — Master Melody Makers H. BUT — did you look very closely at that B-side master number? More- over, the NML issue given in Rust is not this one.

I can't guess how this affects any of you, but my faith in the veracity of die- stamped master numbers many of which are applied only to metal parts, not written directly on the wax at the time of recording has been jolted a bit.

This may not be par- ticularly important, but I mention it here so you may make of it what you will: the digits in which the in- correct master number are stamped on side B of the rec- ord are not the same small size as was typical of most true master numbers such as appear on Regal and Domino Issues; rather, they are slightly larger, more like the fake "control" numbers found on Oriole and Jewel records.

Also, one of the digits is indented, while the other three are in bas-relief. That would make the thing nicely symmetrical, if nothing else. Its effect' on the supposed sanity of discographmrs can only be guessed The "HIT" man is here again!! A few odd bits of data about Hit records have been lying on the shelf for quite a while now, and it's high time I unloaded them.

Old Blade Joe". BoxOld Saybrook, Ct. If interested In obtaining these specific RR back issues write us -anc we'll let you know which issues and their cost. Interested in buying outrigt Make remittance payable to Len Kunstadt. New York. O0 tor 1Q. Anthony Rotante. Paul Sheatsley, Ernest Smith. Harrison Smith.

Victoria Spivey, John Sterner, James. Howard Waters. Ray Wile and Mike r Please notify us. UC: H. Hart el Harold H. For those who do not have these 4th edition volumes -and would like to ret them olease write to JR fSend return sae or oostcard and we will eive you a lead.

Harold has also referred t! Wow for a brief explanation of H3 Chrono-Matrix files. Any underlined matrix number is Presumed to be rejected er. Rust's JR volumes will certainly help, too!

Deppe Rich O. Lon R. T Cha sender son tie. Payne 1. William - Eckstein Eva Taylor 9c. Bailey's L. Porter's B. Lsm Wilson O.

Daddy Kentucky C. IT ly S. CO, Calif. A 1 1 2 Town D Inks. Blte S. Cottoa P. Fe Bend arson Calif, a. Weaver S. Martin Savoy H. Hite H. Meyers Da Prm R. Bigeou O.

Hegasdn 10 10b. Black Alb. Hite T? Ssdth 12 Whl1 Sdna Johnson f. Wllson " 16 Rosso A F. RT 27o. Bailey's US. Ladd'e B. Kauf— n Tyus Rosso ft p. ST Blnes sie-B Hariag Royce O. Lon O. Diplomat 0. Varsity 8 Calif. Lena Wilson Six B. Mlller Calif. Plron 19 R. Miller Cox an 21 Calif. Plron HT Rodesrloh Chi 21o. Maybe She'll Phone Me Blue, Melody Bouquet Of Jerome Kern - Emile Petti And His Cosmopolitans - Melody Bouquet (Shellac.

McCoy Varsity 8 S. Lanin O. T DeDroit Chi H. Do Droit 17 Orig. Ladd's B. Baker W. Werd S. Lanln I. Henderson - C. Georgia M. R, Chi '. Atl Ato. Jelly Roll sio Mr. Snlth HI T 0. MoCoy G. Meyers 8 As for the songs themselves, just look at the first records listed below issued about Practically all the music on LMS records come from Broadway shows. In the LMS catalogue there were no "fillers" to use up a flip side or to fill out an album, and the entire output of the firm seems to have been records in the 78rpm format and 10 LP records.

They were Issued from the early s to the late s. In the numerical list which follows, all Album) 15 of the records are identified unless there are others I don't about. Can you help fill in the blanks? Look at the LMS records in your collection. Pass any information to me at Apt. In addition if you would like to add any revelent label information like master numbers, show titling, accompaniments, etc.

Additions and corrections will ppear In a future Issue. See next page for the beginning of the LMS exploratory dlscog research. Whether LMS, itself, ever had a complete catalog is doubtful. Jack just has a few blanks to fill in. We have also referred to the Rust- Debus Entertainment Discog.

Anthony Rotante has also added his LMS discographical services. We ask all interested researchers to Join us by filling In missing details. LMS also leased?? There are also various uncommon master or control series numbers which need investigation and clarification. We definitely have an intriguing research probe on hand thanks to the initial LMS numerical listing by Jack Raymond.

It will list all original cast, studio cast, and composer recordings of stage, screen, and. TV musicals from the s to the s. Now back to LMS!

Statistics by Robert Colton will be abbreviated RC. Similar abbreviations will be for the Album) Debus discogra- phical works, etc. We hope to have more about the LMS record company and its history in a forthcoming installment. Before we commence with the exploratory LMS discog survey we have a label specimen of a very rare elusive matrix personal recording by Enric Madriguera which will point out the revelant statistics we are looking for in filling LMS data we lack In the forthcoming survey.

So, in resume, use Raymond's listing as a reference and send us the statistics that the sample below Illustrates. Let's Fly Away Master? Two different labels have been located. See below. Lola Ellison-vooals PB Oct. Melody Bouquet Of Jerome Kern - Emile Petti And His Cosmopolitans - Melody Bouquet (Shellac Band Disco.

TLiis listing should aid future'discographical research where catalog numbers and datingetc. Africanus" and Mme. Jones, -and various Mme. Jones critiques and reviews, reports and interviews Sissieretta Jones was really one of the great soprano voices of her generation with an international reputa- tion. During the height of her fame she interrupted her concert career for the Black Patti Troubadours.

In the pre- World War 1 years "Mme. Jones was a distinguished pioneering contributor in those changing jean when the Black performer began to. There is no doubt that it is still evident today in comic and character assassinations in our mutual communication with each other which is picked up by our entertainment industries as "commercial" value. It would be really fascinating to try to foretell what our future generations may say about our today - and Sissieretta's generation!

Whether there was that much of a change in venue! Jones copied Adelina Patti good or badly the fact does remain that her talent was unique and original. Unfortunately no known sound recording of Mme. Jones exists to compare with Adelina who did record. So we have to rely on the printed word.

Jones is not the equal of Adelina Patti, she at least can come nearer it. But I do not know whether i should like it. I prefer the concert platform for the present" 2 The public was criticlsized in denying a singer like Sissieretta the same opportunity to be heard as her fellow ywomen. The Chicago Sun post led the direction with her appearance in the Central Music Hall and other praiseworthy observations by other press reviews.

Jones stated to another reporter: " Do you know it rather annoys me to be called the Black Patti. I am afraid people will think I consider myself equal to Patti herself, and I assure you I do think so, but I have a voice and I'm striving to win the favor of the public by honest merit and hard work.

Perhaps some day, I may be as great in my way, but that Is a long way ahead. A cursory look at the International Cyclopedia and Grove's shows no such opera by Pietro. Sissieretta Jones perfected and augmented her repertory in an atmosphere inundated with racism.

Very few had reached so high a pinnacle as her to be ranked with so many performers of her time. Reviews pointed to her voice and perfected technique and her future.

There were those who considered her a great artist in her own right and who reproached her for accepting an inferior evaluation which the " Black Patti" sobriquet dubbing brought her.

She had proved herself through longevity and public approval to be a competent talented artist. A review from Toronto's Empire gave an physical description of Sissieretta. Jones is quite a young lady, just 23 years old, and she travels with her husband, a handsome mulatto gentleman. Although so young, her voice is phenominal in its range and power.

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Write a review Rate this item: 1 2 3 4 5. Preview this item Preview this item. Jerome Kern melodies. Subjects Popular music -- Musicals -- Excerpts, Arranged. Popular music. More like this Similar Items. Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Reviews User-contributed reviews Add a review and share your thoughts with other readers. Be the first.

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